"Houses na haihuwa Moscow": ƙaddamar cute tsufa

Marina Tsvetaeva ta kerawa da wuya a shige cikin wani tsarin da wallafe-wallafen trends. Ta kasance ko da yaushe shi kadai, yana tsaye kadai. Very halayyar da mawãƙi rikici tsakanin rayuwa da kuma zama. An kyau kwarai misali ne farkon waka "daidaitaccen sassa haihuwa Moscow". Ta annabta fitowan da wani sabon unrecognizable Moscow, wanda share dukan abin da kadan tunatarwa na da tarihi da, da kuma mafi muhimmanci - da mutane da suka rayu a cikinta, kuma ƙaunar.

A kan aikin na Marina I.

Mawãƙi ba ya kasance a kansa lokaci, ko da yayin da samar da takamaiman da kuma bayyana images, tantancewa da halin da ake ciki. Yana dissolves da sauri a lokaci na yanzu na sauran halittu. Ciyar elusive, m rhythms - Waɗannan su ne babban ãyõyin ayar na mawãƙi ne. Kayayyakin images ba ta babban ƙarfi, ko da yake a cikin waka: "gidajen tsohon Moscow," mu ne quite tabbata muna ganin su: katako ginshikan, tare da peeling mowa, tare da sawa kujeru a ciki, wani katin-tebur, a tebur, inda haruffa aka adana a kan yellowed takarda. Kuma ku tuna hoto na V. Polenov "Labari Kaka ta Aljanna".

Poems na Marina Tsvetaeva aka haifa, kamar dai shi ne kwatsam, yin biyayya da dokokin na magana, maimakon karin waƙa, kuma shi ne matukar tsãgewar ƙwãyar su a cikin stanzas. Poetess kanta ya rubuta a cikin tsarin sautinsu da cewa duk abin da ta ga asirin, da gaskiya jigon abubuwa. Saboda ta sāke a cikin real duniya bisa ga mafi harmonies, wanda su ne batun ikon Allahntaka da aka tsara don Elite. A Rasha shayari ba shi yiwuwa a sami wani mawãƙi tare da wani Keen, sosai musamman ji na gaskiya. Kewaye Tsvetaeva duniya haɗa kan bangaskiya abu, a duniya da kuma ruhaniya, m, samaniya. Ta kowace rana fit a baya rai, amma da kanta da dama a cikin abu wulakantacce. Romanticism ta hali yakan to kololuwa na da labarun almara.

Ta poetic harshe ya kasance m. A cikin kalmomin Marina Tsvetaeva ji ta m ruhu, wanda ke neman gaskiya, matuƙar gaskiya. Da tashin hankali na ji da kuma musamman talanti ɗaya na Marina Tsvetaeva, wani karaya mutumin da makoma, sun samu hakkinsu wuri a cikin kasa shayari.

elegiac yanayi

The waka "gidajen tsohon Moscow" da aka rubuta a 1911. A mawãƙi ne kawai goma sha tara shekara, amma m da gaskiya, da karfi da abin da lyrical bakin ciki ta bayyana Kamawa up har abada cikin zamanin da 1870s. The "gidan" Elegy mayar da hankali nostalgia tafiyarsu har abada, domin riga rasa. Ta fi bata sha'awa wani wuri kuma sauran launuka na aristocratic al'adu. "Houses na haihuwa Moscow" Tsvetaeva fentin aestheticization na tsufa. A haushi na faɗuwar rana Fading ji a kowane stanza. Ta gan a su da gaskiya fuska cike da languid kuma shiru laya daga Moscow, adawa da sabon wuya procession ci gaba a wani shida-storey kiba freaks fara ambaliya da sarari na gari. A elegiac waka "gidajen tsohon Moscow" An karanta epitaph cute zuciya tsufa. "Ina - ta tambaya - fentin ceilings, madubai zuwa sama, sa'an?". Me ya sa ba mu ji da guitar na harpsichord, bai ga nauyi duhu labule a cikin launuka? Inda ya yi da m hotuna a gilded Frames, na wanda stared lovely Ladies a wigs da kuma shahararren jarumi maza a sojojin uniform ko da wani a tsaye kwala a uniform? Inda ya sassaka baƙin ƙarfe ƙofar, wanda jũna a tsaya ga ƙarni, inda su madawwami ado - zakuna shugabannin? Wannan shi ne taken "House."

poetic en

The waka "gidajen tsohon Moscow" kunshi shida quatrains rubuta dactyl. A epithet "languid" an maimaita sau biyu, tilasta schemit zuciya. Sauran epithets - "tsoho ƙofar", "katako, shinge", "fentin ceilings" - magana game da past yawa daga cikin 'yan qasar antiquities, wanda bai rasa ta kyakkyawa da kyawawa. Metaphorically canjawa wuri zuwa ga bacewar wadannan gidaje. Sun bace kamar kankara manyan gidãje, nan take, tare da kalaman na wani sihiri Wand mugunta. M Zuciya mawãƙi tenderly kõma zuwa wannan kadan duniya, ta amfani da gajeren suffixes ba a gida, da kuma gidaje ba tare da lungu da kuma gefen tituna. Parallelism fara da ƙare da waka.

maimakon a ƙarshe

Mawãƙi daga farkon shekaru nemi su bayyana ruhaniya abubuwan. Yana ya da nisa daga duk stereotypes. Tsvetaeva bar a cikin shayari m kuma na musamman hanya da cewa bai dace ba a cikin tarihi iyakokin lokaci.